It took some courage to go out with my easel but I’ve always enjoyed ‘en plein air’ painting and drawing. Drawing and sketching with a sketch pad on your lap is slightly easier and I’d been doing that for years.

Fact is, standing at an easel in a public place is going to draw attention from passers-by. Which is fine by me now, even when they give advice I didn’t ask for!

I really wanted to get out there but needed a bit of help and encouragement. If you’re in the same situation I’d like to share these hints and tips with you for a comfortable time painting and drawing outdoors.

Here’s my eight top tips to help you banish the fear and get started with ‘en plein air’ painting and drawing.

Tip 1: Join a local art group:  There’s safety in numbers and you may find it easier to go out with a group of artists or some friends. Find a local art group. Check out the SAA (Society for All Artists), you don’t need to be a member to visit their Community page and find a group nearby. You’ll meet like-minded people and learn from others. Urban Sketchers is another useful hub that has groups (chapters) worldwide that meet regularly.

Tip 2: Take a small sketchbook into a cafe:  If you’re not ready to sit or stand outside, or the weather’s bad, try a cosy cafe. Take a small sketchbook to sketch discreetly. This is a good way to practise working quickly. To avoid catching someone’s eye, draw your coffee and cake, or the backs of people. Take a moment before you start, to absorb the atmosphere of the cafe. p.s. If you want to paint (and I’m thinking watercolours, not oils or acrylics) do check if it’s okay with the owners first. I’m all for resourcefulness and using what’s to hand but do not use their cups etc to rinse your brushes in, for health and safety reasons.

Tip 3: Wear layers of clothing: You can always remove clothing if it gets warmer. Thin layers are best so you don’t restrict your movement or end up carrying bulky knitwear. Wear clothing with pockets, as this helps reduce baggage. If it’s cold, try sitting on a newspaper to insulate your bottom! A foldable/packable hat or cap is a must for sunny days as is suncream.

Tip 4: Listen to music:  Pop headphones on and listen to your favourite music, podcasts or radio station. It’s a great way to pass time while you paint and when people see you’re wearing headphones, they may think twice about disturbing you.

Tip 5: Pitch up with your back to the wall: If you don’t like the thought of people looking over your shoulder while you work, try and find a place with your back to a wall or hedge.

Tip 6: Take the opportunity to talk back: People will be interested in what you are doing. Welcome the chance to speak to people about your work. Explain what you are trying to achieve. They may offer their opinion. Ask them whether they draw or paint themselves. Pop your headphones back on when you’ve had enough!!

Tip 7: Travel light: This could be the hardest tip to stick to. Take the minimum kit you need. You will need water/drink, food and sun protection for yourself, so the less kit to carry, the better for you. Your pocketed garments will come in handy (Tip 3) to carry smaller items and money.

Tip 8: Prepare your en plein air kit that’s ready to bag and grab: Following on from Tip 7, you can spend a lot of time figuring out what to take with you. Experience has taught me what I’m most likely to use so I have a ‘grab bag’ at the ready that I know contains all I need e.g. a box of watercolours, a brush, pencil/pen and a small pad. I just need to add water. Charge your ‘phone for Tip 4 and to take ‘photos. A trolley is useful to transport larger equipment, e.g. if you’re using an easel or chair.

If you’ve tried it yourself, how do you feel about it? What’s your biggest fear when painting in public? Do you have any tips to share? I’d love to hear your views.

---

---

This is the first shell I painted in this mini project, where I am brushing up on my observational and watercolour skills. I was interested in trying to capture the pearly iridescence of the shell. :)

---

I loved painting the 'gnarly fingers' of this shell and wondering how the shell formed.

---

Right now on my art board is a developing painting of holly; very seasonal, you may be saying. It excites me to be creating this work and I am relishing the control and detail called for in this style of painting.

Surprisingly, the process is not too demanding and I find I only need to spare half an hour here and there to dip into it, even finding a quiet time on Christmas Eve while supper was cooking to apply more layers to the painting.

I treated myself to some professional, fine brushes and decent paper as I didn’t seem to have the right stuff in the house!! As a rule, I always like to use the resources I already have, but unfortunately it wasn’t there and only the best would do for this project.

Plenty of breaks help me reassess my progress, I am off now to continue with the layers and markings of this prickly subject.

Thanks for taking a look.

Peace, Fiona.

 

---